在途中－内蒙古，东三省

发表于 2011 年 10 月 13 日由 eddie-y

“开始一场旅行是有压力的，

行前总是多少有些忐忑，永远不知道明天的会是如何，
而这未尝不是一件好事。因为旅行回报给你的，就是面对所有这些挑战的勇气。
旅行的故事总能成为一场谈话的开场白，或许这是你们都感到有趣的话题。
旅行之后，你会发现最想念的还是自己的家乡。
旅行，是将自己抽离出熟悉的情境，以旁观者的身份欣赏自己，
你惊讶地发现你可以想出解决难题的办法。
旅行，教给人适应陌生，颠覆你看待世界的角度。
真正的旅行是从眼睛开始的，
用眼睛发现美，发现价值和意义，最后在心里找到归宿。
镜头留下记忆的瞬间，那一刻在镜头前凝固。瞬间，永恒，镜头将二者完美统一。
回忆在镜头里如花绽放，梦想也在一次次旅途中清晰。
钱包决定旅行的长度目光决定旅行的宽度心灵决定旅行的深度。
旅途，一个人安静的走在路上，看山是山，看水是水；遇见了谁谁，告别了谁谁。
我不是打不死，不是不怕，生命未完，旅程未止。
面对未知，只有博弈。至少，在路上，我是快乐的。人生本身何尝不是一段没有回程的旅行？”

内蒙古赤峰红山公园－红山公园因为红山而得名
从这个角度可以看到公园全景，好象真的没有生命的迹象。

内蒙古赤峰红山公园－除了公园门外有寥寥几个人。。整个公园像被我们包场了一般

公园一角

因为之前去过了乌鲁木齐市红山公园，乌市的红山公园让我多少有几分吃惊，
在决定进赤峰的红山公园前，就没抱有太大希望，
我在看到红山公园的门头瞬间，就崩溃了。
这张照片真是万里挑一选出来的，
还好，公园人不算多，水比较蓝，能算上是幽静的地方

黄昏的红山大门外

还是在红山门外，取了杂草当前景

途中去巴林右旗的路上，遇见一群羊，三五成群

心灵决定画面的深度

旅途中也有这样的情境，一群牛横穿马路，你看着它，它盯着你.

437的黄昏。。特此记念为之内蒙最好走的道路

没有名气的道路

437公路上看晚霞

天池脚下。美不胜收

内蒙古阿尔山，从阿尔山市去天池的路实在难走，破坏性修路
时速也不过30公里，整整花了3个小时正到天池
门票180，但价格收的高肯定自有道理

红花尔基森林公园位于内蒙古呼伦贝尔市鄂温克旗境内，是一个著名的旅游景区。
这里有全国惟一、亚洲最大的沙地樟子松原始森林

在途中－新疆乌鲁木齐

发表于 2011 年 07 月 01 日由 eddie-y

在途中－苏州自由行

发表于 2011 年 04 月 17 日由 eddie-y

在途中－丰县梨园

发表于 2011 年 04 月 14 日由 eddie-y

在途中－婺源记

发表于 2011 年 03 月 29 日由 eddie-y

在途中－江西婺源游

发表于 2011 年 03 月 29 日由 eddie-y

｛Mr.n}森林系小美女

发表于 2011 年 03 月 19 日由 eddie-y

｛Mr.n}我与你们

发表于 2011 年 03 月 14 日由 eddie-y

Kyle Bean（Reprinted)

发表于 2011 年 03 月 11 日由 eddie-y

” I am a Brighton based designer specialising in hand crafted models, prop styling and art direction. Having graduated from the University of Brighton in 2009, I am currently working freelance. I have worked on projects for a variety of clients including editorial commissions for Wallpaper*, Financial Times, Wired, New York Times Magazine, as well as shop window displays for Selfridges, Liberty, Diesel and Hermes. ” – Kyle Bean

｛Mr.n} 杂ll

发表于 2011 年 03 月 09 日由 eddie-y

{Mr.n}彻底黑暗系

发表于 2011 年 03 月 07 日由 eddie-y

最近几天彻底黑暗系啊，有木有啊！！！！！

自己都感觉到了。

不自觉的翻以往的老照片！！有木有！有木有！

我要摒弃饱满的色彩，柔和的焦外，丰富的细节

奔向f64’

Yoku Shimizu（Reprinted)

发表于 2011 年 03 月 07 日由 eddie-y

Yoku Shimizu is a freelance illustrator based in New York City and an illustration instructor at School of Visual Arts. Newsweek Japan has chosen her as one of “100 Japanese People The World Respects” in 2009.

｛Mr.N} 2.28.2011

发表于 2011 年 03 月 01 日由 eddie-y

｛Mr.N} 婚纱（客片）－Bonbonnie

发表于 2011 年 02 月 20 日由 eddie-y

大美女的围脖，大家多多关注

｛Mr.N} 佳依美学

发表于 2011 年 02 月 14 日由 eddie-y

佳依美学（徐州店）
联系电话
0516－61667077

｛Mr.N} s n o w

发表于 2011 年 02 月 11 日由 eddie-y

｛Mr.N} Sofitel Galaxy In Nanjing（客片）

发表于 2011 年 02 月 09 日由 eddie-y

介于客户因素，露脸照片不能刊登

可恶！！！！

Mauricio Buitrago(Reprinted)

发表于 2011 年 01 月 21 日由 eddie-y

Inspired by pop artist, editorial photography and the endless world of computer design and animation, Buitrago created a system based on; THE PIXEL. Hundreds of symmetrical wood blocks, hand-painted individually with acrylics, then neatly assembled in a elaborate woodworking process to create the factors of illusion and distance in each piece. When viewed up close, you see a modern display of colored blocks but as you question its form, your eyes and mind develop the need for distance between you and the piece, making a distinct image appear. Buitrago was born in Cali, Colombia in 1969.

｛Mr.N} flowers

发表于 2011 年 01 月 19 日由 eddie-y

{Mr.N}钢琴之岛

发表于 2011 年 01 月 18 日由 eddie-y

365 days of Danboard

发表于 2011 年 01 月 09 日由 eddie-y

the winter of Berlin (Reprinted)

发表于 2010 年 12 月 28 日由 eddie-y

｛Mr.N} except me

发表于 2010 年 12 月 22 日由 eddie-y

Rachel Perry Welty（Reprinted)

发表于 2010 年 12 月 21 日由 eddie-y

Rachel Perry Welty graduated from the School of the Museum of Fine Arts Boston in 1999 with a fifth year certificate in 2001. She had a solo exhibition of her work at The Barbara Krakow Gallery in Boston, 2004 and at the “CC”Coburn Gallery in Colorado in 2007. She was selected for the “Levity: Selections Spring 2007” exhibition at The Drawing Center in New York. Most of us don’t pay much attention to the mundane objects we use everyday, like the twist ties that hold the plastic wrap on our bread and the broccoli together or the little paper cups that we pull out of a water dispenser. Using thousands of the throw away items at her disposal, Rachel Perry Welty takes these ordinary items and creates works of art with texture, complexity and meaning. There is a ritual about compiling these unconventional art materials into sculptures that seems both overwhelming and obsessive. Link here.

｛Mr.N} lighting

发表于 2010 年 12 月 19 日由 eddie-y

｛Mr.N} Dunhuang

发表于 2010 年 12 月 15 日由 eddie-y

Alain Delorme(Reprinted)

发表于 2010 年 12 月 13 日由 eddie-y

Alain Delorme was born in 1979. He graduated from Gobelins in Paris with a degree in Photography. He also has a Master of Science and Technology in Photography from the University of Paris VIII. In this series, ‘Totems’, the composites are recreated on the basis of 6,000 images taken in Shanghai during two art residencies. The loads are exaggerated to emphasize the ‘totems’, which are highly symbolic of the ‘Made in China’ consumer culture. Delorme is represented by Galerie Magda Danysz in Paris. (previously-blogged)

{Mr.N} Clouds

发表于 2010 年 12 月 10 日由 eddie-y

Maia Flore（Reprinted)

发表于 2010 年 12 月 08 日由 eddie-y

Loving these photos from French photographer Maia Flore’s Sleep Elevationseries. Great stuff. Love it. Click here for the link.

｛Mr.N} Late winter（客片）

发表于 2010 年 12 月 07 日由 eddie-y

｛Mr.N} coquetry（客片）

发表于 2010 年 12 月 05 日由 eddie-y

｛Mr.N} travel round the world-HK2

发表于 2010 年 12 月 03 日由 eddie-y

｛Mr.N} travel round the world-HK

发表于 2010 年 12 月 03 日由 eddie-y

Sketchbook 2010 （Reprinted)

发表于 2010 年 11 月 24 日由 eddie-y

Thanks to everyone who left me comments to my previous project “Skechbook.” For me is very surprising that so many people liked it. This set includes new designs, as well as those that I just forgot to show the last time.

To avoid repetition, I will write here the answers to frequently asked questions.
For work I’m use simple gel pen (Pilot), sometimes also “PITT Artist Pen” Faber-Castell
I make only a very rough sketch with a pencil. I have a site where you can see the same pictures closer (if you press “+”). I never remove the pencil lines, so we’ll see “as is” .
http://vinnik.net/cgi-bin/sketchbook.en.cgi?name=2010

｛Mr.N} Car show of Amoy

发表于 2010 年 11 月 23 日由 eddie-y

Mayfair Steamer Secretary Trunk(Reprinted)

发表于 2010 年 11 月 19 日由 eddie-y

Crafted by antiques dealer and furniture maker Timothy Oulton of London, our oversized steamer trunk armoire is configured as an ingeniously designed secretary. Features a pull-down desktop and multiple drawers, cubbies, wire management and bookshelves. Stands on wheels for mobility and closes for storage and privacy.Buy here.

｛Mr.N} city in the city

发表于 2010 年 11 月 18 日由 eddie-y

｛Mr.N} wedding

发表于 2010 年 11 月 17 日由 eddie-y

Cloudscapes(Reprinted)

发表于 2010 年 11 月 15 日由 eddie-y

‘ One of the most talked about installations at the 12th International Architecture Exhibition in Venice was Cloudscapes. Japanese architect Tetsuo Kondo and a German climate engineering firm Transsolar came together to put a cloud in a large interior space called the Corderie, a 316-meter-long space where ropes for Venetian ships were made. Visitors to the exhibit can walk through the cloud via a circular ramp that ascended 4.3 meters high. This feat of climate engineering is produced by blowing three layers of air into the space at different temperatures. Cool dry air at the bottom layer keeps the cloud up; warm, humid air in the middle creates the dense fog; hot, dry air sits on top. Click through for photos and video from the exhibition which will be on display in Venice through November 21, 2010. ‘ (viaFlavorwire)

Dedo message board (Reprinted)

发表于 2010 年 11 月 15 日由 eddie-y

It provides an easy, intuitive, and fun way to express ideas, leave messages and play, just by simply dragging your finger trough the fur you leave a trail, a drawing… It functions both as a basic communication device and a decoration piece. It offers a much more appealing way to leave a message and converting it into a statement, bringing in a whole new dimension of personalisation and communication to the domestic environment. Link here.

｛Mr.N} autumn is on the way

发表于 2010 年 11 月 12 日由 eddie-y

｛Mr.N} Portrait lately（客片）

发表于 2010 年 11 月 12 日由 eddie-y

｛Mr.N} still alive2

发表于 2010 年 11 月 10 日由 eddie-y

｛Mr.N} light bulbs

发表于 2010 年 11 月 10 日由 eddie-y

｛Mr.N} still alive

发表于 2010 年 11 月 09 日由 eddie-y

英国著名插画师Matthieu Bessudo作品

发表于 2010 年 11 月 05 日由 eddie-y

｛Mr.N} nex5

发表于 2010 年 11 月 05 日由 eddie-y

｛Mr.N} 不要后会有期

发表于 2010 年 11 月 04 日由 eddie-y

｛Mr.N} airport

发表于 2010 年 11 月 02 日由 eddie-y

aiweiwei（Reprinted）

发表于 2010 年 11 月 01 日由 eddie-y

Chinese artist Ai Weiwei has filled the museum’s turbine hall with millions of life-sized sunflower seeds, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small-scale workshops in the Chinese city of Jingdezhen. The installation encourages visitors to touch and walk on the carpet of “sunflower seeds”.

｛Mr.N} postcard & exhibition

发表于 2010 年 11 月 01 日由 eddie-y

｛Mr. N｝艳遇中国

发表于 2010 年 10 月 31 日由 eddie-y

｛Mr. N｝broken

发表于 2010 年 10 月 29 日由 eddie-y

｛Mr. N｝Sunshine

发表于 2010 年 10 月 27 日由 eddie-y

｛Mr. N｝Solitary

发表于 2010 年 10 月 24 日由 eddie-y

｛Mr. N｝关于你的一切

发表于 2010 年 10 月 24 日由 eddie-y

RubikCubism （Reprinted）

发表于 2010 年 10 月 23 日由 eddie-y

Check out more RubikCubisms

120 Bikes on a Wall（Reprinted）

发表于 2010 年 10 月 20 日由 eddie-y

A bicycle shop in Altlandsberg, Germany advertises their goods with a wall of around 120 bikes mounted on the building’s exterior in lieu of a sign. Link here.

｛Mr.N} 蓝

发表于 2010 年 10 月 18 日由 eddie-y

｛Mr. N foto}

发表于 2010 年 10 月 18 日由 eddie-y

{Mr.N}摄影设计工作室
预约拍照，设计
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｛Mr.N} last d80

发表于 2010 年 10 月 13 日由 eddie-y

Roman Ondak（Reprinted）

发表于 2010 年 10 月 12 日由 eddie-y

Viewers play a vital role in the creation of Measuring the Universe (2007), by Slovakian artist Roman Ondák (b. 1966). Over the course of the exhibition, attendants mark Museum visitors’ heights, first names, and date of the measurement on the gallery walls. Beginning as an empty white space, over time the gallery gradually accumulates the traces of thousands of people. The inclusion of viewers in the process of art making has a long tradition in the history of performance-based art. By inviting people to actively participate, artists attempt to overcome traditional divisions between art objects and spectators, and production and reception. Measuring the Universe turns the domestic custom of recording children’s heights on door frames into a public event, referring through its title to humankind’s age-old desire to gauge the scale of the world. The process creates a work of art with a multitude of participants, merging art with everyday life in a confluence that is at the very center of Ondák’s artistic practice. Link here.